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The Aristocrats

A comedy...of sorts: it's the dirty joke movie documentary.  Watch 100 comedians tell the same dirty, very dirty, even filthy joke.  It's a joke that has been shared privately by comedians since Vaudeville.

"OBSCENE, DISGUSTING, VULGAR AND VILE. MIGHT BE THE FUNNIEST MOVIE YOU'LL EVER SEE!"
REVIEW STORE GALLERY OFFICIAL SITE
Year: 2005 Rated: Not Rated Runtime: 92 min
Cast: Chris Albrecht, Jason Alexander, Hank Azaria, Steven Banks, Shelley Berman, Lewis Black, David Brenner, Mario Cantone, Drew Carey, George Carlin, Mark Cohen, Billy Connolly, Tim Conway, Pat Cooper, Wayne Cotter, Andy Dick, Frank DiGiacomo, Phyllis Diller, Susie Essman, Carrie Fisher, Joe Franklin, Mike George, Todd Glass, Whoopi Goldberg, Judy Gold, Eddie Gorodetsky, Gilbert Gottfried, Dana Gould, Allan Havey, Eric Idle, Dom Irrera, Eddie Izzard, Richard Jeni, Penn Jillette, Jake Johannsen, Alan Kirschenbaum, Jay Kogen, Sue Kolinsky, Paul Krassner, Cathy Ladman, Lisa Lampanelli, Richard Lewis, Wendy Liebman, Bill Maher, Howie Mandel, Merrill Markoe, Jay Marshall, Jackie Martling, Chuck McCann, Michael McKean, Eric Mead, Larry Miller, Owen Morse, Martin Mull, Kevin Nealon, Taylor Negron, Rick Overton, Gary Owens, Trey Parker, Otto Peterson, Emo Philips, Peter Pitofsky, Kevin Pollak, Paul Reiser, Andy Richter, Don Rickles, Chris Rock, Gregg Rogell, Jeffrey Ross, Jon Ross, Rita Rudner, Bob Saget, T. Sean Shannon, Harry Shearer, Sarah Silverman, Bobby Slayton, The Smothers Brothers, Carrie Snow, Doug Stanhope, David Steinberg, Jon Stewart, Matt Stone, Larry Storch, Rip Taylor, Teller, The Amazing Johnathan, Dave Thomas, Johnny Thompson, Scott 'Carrot Top' Thompson, Peter Tilden, Bruce Vilanch, Jonathan Wee, Fred Willard, Robin Williams, Steven Wright



Directed by: Paul Provenza Creators: Penn Jillette, Paul Provenza Music by: Gary Stockdale
Movie Studio: Production - Mighty Cheese Productions, Distributions - ThinkFilm Inc.
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Review

Before and After: updates and previews

January 2005, Joe De Matteo
What, a documentary that makes me laugh?

HUGE

BILLING: "OBSCENE, DISGUSTING, VULGAR AND VILE. MIGHT BE THE FUNNIEST MOVIE YOU'LL EVER SEE!"

     Penn and Teller are known for doing something different - well, everything different - and The Aristocrats is no exception.  Paul Provenza is the man behind the camera and almost everything else it seems, he's the Director, Editor, Camera Operator, and the Executive Producer of this documentary that has one-hundred comic super stars tell the same dirty joke. 

     Here's a new bit of information for me, since Vaudevillian days comedians have been whispering the same, as they put it, very, VERY dirty, filthy joke to each other. 

     Penn and Paul said that they informally interviewed 100 great comedians, the likes of Don Rickles, Jason Alexander, Robin Williams, Rita Rudner, Chris Rock, Emo, Paul Reiser, Whoopie and even Joe Fanklin (96 are listed above) and had them tell this infamous joke.  I'll bet that you'll see some of your favorite comedians in the list above, with the exception of those who are, shall we say, not of this ilk.  The Aristocrats is a tribute to the joke and the comedians that tell it; they are the aristocrats. 

     The Aristocrats is not a date film, unless your date loves very, VERY dirty, filthy jokes and comics.  It's a work of fun and love.  Love of the medium of comedy and the people that perform it.  The Aristocrats is worth seeing, and owning, when it becomes available.

     If you like humor, I mean really like the concept of humor, and have a thick skin, I mean a very think skin, The Aristocrats will be the best documentary you’ve ever seen, and the funniest hour and a half you’ve ever lived through.
     The jokes are fast and furious and piled one atop another. They take a joke and build it and change it and retell it, and retell it again.
     Most of the funniest comedians alive today, and some not so funny people all add up to the perfect film.
     This is one of those DVDs that I won’t be happy with unless it requires 6 days to view.
     Kevin Pollak does the joke as Christopher Walkin, and does it extremely well. It may be my favorite part in the film. I want more of that.
     People from the past whose 'today' faces made it hard for me to connect their names with are Chuck McCann and Shelley Berman, two very funny men. McCann tells an especially great version of the joke.  Shelley Berman was my very favorite comedian, when I was a kid I had everyone of his albums (vinyl, what else?) and had every word and intonation memorized.  Yes.  By heart.
     Watching this film is like being backstage with or sitting at the next table from all of this comedic talent, while they are telling stories about, and performing their versions of this very, very dirty, filthy joke.
     “I knew his dog,” Phyllis Diller ends an explanation with, deadpan…and it is uproarious.
     George Carlin gets intellectual about so many things, but then he kills you with the joke, and there you are, dead, dead from laughter, because he educated you first.
HUGE isn’t a HUGE enough word to describe this comedic masterpiece.

     (14 July 2005) Unfortunately, AMC Theaters, the countries 2nd largest chain, has announced that it will not show the film in its theaters, which means it may be a little hard to find in some areas.  Of course, this has sparked a back and forth regarding censorship and inappropriateness.  However, this movie-goer would like to point out that unlike some recent documentaries The Aristocrats describes itself honestly and should be made available everywhere.  This is not a production featuring a group of unknowns masquerading as something other than what it is, not is it a veiled product or polictial advertisement.  The Aristocrats features most of the best comedy acts alive today finally letting the public in on the big joke.

     A spokeswoman for the theater chain stated that the decision not to show the film was made at the very top of the AMC Film Group.  Are we to believe that those in control of this great entertainment company have overnight become prudes?  The Aristocrats boasts no nudity, no killings, horror or gore, nor rapes or any sex at all. 

     What is it with comedy that brings out the censors?  It seems we're not that far along from Lenny Bruce.    

Learn more about Vaudeville

Critique Section

HugeReviews.com' Official Rating System:
Pathetic         Wimpy         Solid        Super        HUGE

HugeReviews.com Rating: Super Review by: Christian De Matteo

Awful, F**king Awful... so take your woman!
by Christian De Matteo

Super

After a fine dinner of Chinese food (mooshoo for me, shrimp stir fry for her), we moseyed on over to a non-AMC theater (The Hawthorne Multiplex in Hawthorne, NY) and, with full stomachs, watched one of the most disgusting things I have ever seen.  No, not Cabin Fever, not the upcoming gorefest Slither, but a DOCUMENTARY about a freakin joke.

And, it truly is absolutely, disgusting.  I mean gag-effect worthy.  Within the first ten minutes all levels of scatological humor (that's humor about feces, for those of you in Rio Lindo, California) have been topped, emptied and topped off again, and then... well, probably eaten. 

That was a test, if you found what I just wrote completely inexcusably offensive, well, don't bother with the film.

But, after the first fifteen minutes, you won't even notice that humor about human excrement is gross because you'll be knee-deep in violent, underage, rape and incest, bestiality and who the hell knows what else.

And none of it's shown.  This is the story of one of the most inside jokes ever, the joke that comedians have been telling each other in the ultimate top-that-joke contest ever.  What can you do to the joke?  Can you be grosser, more absurd, more outlandish, or just downright nastier?  That's the contest, and after a while, you're not squirming so much as laughing your ass off at the most shocking and awful and horrific things you've ever heard, and you'll only be disappointed in the ones that don't involve interfamily underage rear-entry.

Ebert, said of this film, that it was more like a boozy salesman that corners you with a bad, long joke, but, while seeing his point, I have to disagree.  There are three separate moments in the film where it seems about to lose steam and peter out, but every time a new comedian comes on who brings it right back up.  Whether it is the grossfest by Bob Saget, or Gilbert Godfrey's seminal telling at the Hugh Heffner roast, or my favorite by the pregnant comedianne, the film keeps coming back and I hoped it would never end.

And yes, though grossed out through George Carlin's opening explanation of feces slip and sliding, my girlfriend too found the film hysterical.  Carlin's opening position in the movie makes it even more worth watch as one of our most intellectual comedians explains the significance and importance of the joke.  Following his explanation of the mechanics of it, we totally understand the joke and its import.

The only problem I have with the movie is the presence of the Onion staff, who I usually find hysterical, who's astoundingly ridiculous political ethos completely disembowels their ability to truly find humor.  Lisa Lamponelli, who was introduced by Jimmy Kimmel at the Pam Anderson Roast wonderfully as the reason Italian men beat their wives, saves this particular aspect by using modern politically correct fears in the worst possible way to tell her version of the joke.

Is this the best movie ever made?  No.  Is this the best comedy ever made?  No, but it damn well may be the best documentary I've ever seen on comedy, ass over tea kettle better than Seinfeld's Comedian, and perfectly paced.

Wait through the credits for Don Knots good friend.  And then go home and take a nice, healthy massive wherever you see fit.

  COMMENTARY

Jon

HUGE

This movie is raw, challenging and brilliant. Comedians each going through their own creative processes as they tackle the same (filthy) joke, it's like watching verbal jazz. Hilarious, yes, but the differences - sometimes huge, sometimes subtle - are amazing to see as each makes it their own. It also gets into ideas about culture, taboo, and the shifting lines that people draw around language and ideas. This movie is fearless, funny, and smart enough to watch more than once and find more with each viewing. And filthy as the joke gets, it's a breath of fresh air to see people express their darkext ideas freely and with joy and laughter. GO SEE THIS MOVIE and screw AMC for banning a fun, harmless, brilliantly inventive and bold little movie.

:

 

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