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I Am Sam

Rated:  PG-13 2001 Color 132 mins
Starring: Sean Penn, Michelle Pfeiffer, Richard Schiff, Dianne Wiest, Doug Hutchison, Kathleen Robinson
Directed by: Jessie Nelson
Written byJessie Nelson, Kristine Johnson
Movie Co.: New Line

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I Am Sam - Music From and Inspired By the Motion Picture

 

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I Am Sam - Music From and Inspired By the Motion Picture

An awesome soundtrack of covers of Beatles tunes by folks like Rufus Wainwright, The Black Crowes, Aimee Mann and Michael Penn, Sheryl Crow, Ben Folds and Sarah McLaclan. And I don't even like the Beatles! - CDM

 

 

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HugeReviews.com Reviews:

I am Sam's Complete Lack of Surprise: I am Sam
by Christian De Matteo

Solid

       I was looking forward to this movie for one reason and one reason only: Sean Penn's acting. Guess what the main pleasure I got from the movie was? Right, Sean Penn's acting. Since his brilliant turn in Sweet and Lowdown I have considered myself a fan of his ability, and he did not at all disappoint. Playing the part of a mentally handicapped person in a film that is not a comedy is a highly daunting task, one that few actors I can think of would or should be brazen enough to attack. But I knew Penn could do it; He could be funny when he needed to be funny (Sam falls down the stairs with an ice cream cake) and heartbreakingly serious when he needed to be serious (Sam looks up from the fallen cake and apologizes and kisses his daughter). He was perfect.

       Add to his performance one of the cutest little girls I've ever seen in a movie, (no, not the Pepsi girl though she was good in The Insider) Dakota Fanning. The sequence when she keeps escaping her foster parents house to walk to Sam's is at once hysterical, incredibly cute and astoundingly poignant, and most of this is due to some very natural acting on her face. Fantastic.

       Diane Wiest is also excellent in her performance, particularly her moments on the stand.

       BUT: Welcome to the but section. Here are the problems. Since we've been discussing actors, we'll stay there for a moment, before attacking the meat and potatoes problems with the film.

      Michelle Pfeiffer, who I love, is painful. Now, I must say I believe this to be more the fault of the film's largest problem, it's editing, than Michelle's, but maybe not. Whereas Pfeiffer usually gives performances of many layers and depth, here we get a performance worthy of a movie of the week. She delivers only a cookie-cutter rendition of the "Career Mom with Family Problems Desperately Wanting her Connection with her son Back" and does it so stereotypically that even Valerie Bertonelli could have pulled it off. Terrible. Again, I do believe this is due to editing, though, so let me get into that.

       The film is terribly edited. Not at all the debacle that The Limey was, but certainly bad enough to suck some life and soul from a movie that should have been nothing but those to things. It has the distinct feel of a movie butchered in post-production, the feel of three and half hour movie cut down to a (still too long) two hours put back together with bubblegum and little care.

       The most glaring example of this is the infamous sex scene that we all heard through the rumor mill was cut between Sam and Pfeiffer's character. Well, I personally am glad they cut it because it would have had no place in the film, but you know what? They should also have cut the two scenes following it that refer rather obviously back to it. Why is Sam suddenly telling her to leave her husband? Why are they coyly embarrassed upon seeing each other the next day? Terrible.

       Next we have the nail in the coffin error: The whole movie is leading up to one courtroom scene where everything important will be decided.

      The scene is not in the movie.

      No, instead we get an "groundbreaking and touching" scene before it and a "This should clear everything else up" scene after it: A terrible anti-climax.

      Due to all these editing and directing errors, the audience is left not sure what the movie even was saying about whether mentally handicapped people should be allowed to raise children. I think I figured it out, but only after much deliberation and I'm still not positive I'm right. To my mind, the movie is one about failure, allowing yourself to accept it and knowing when to ask for help. But this could be wrong. Personally, I like that reading, so I'm going to stick with it.

      I give it a Solid mostly because of Penn's frankly Oscar worthy performance which everyone should see, but that and a very cute Fanning are all that save it from a high end Wimpy rating. I am Sam is an enjoyable if frustrating and a tad too long watch, worthy of video rental with a significant other.

PSTwo hundred points to whoever guesses the movie reference in the title to this review.

[Editor's note:] Welcome to HUGEReviews.com, where the reviews are made up and the points don't matter.

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