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Charlie's Angels 2: Full Throttle

Rated: PG-13 2003 Color Time
Starring: Drew Barrymore, Cameron Diaz, Lucy Liu, Demi Moore, Bernie Mac, John Cleese, Crispin Glover, Luke Wilson, Robert Patrick, Matt LeBlanc, Justin Theroux, Tyler Hoechlin, Mary-Kate Olsen (cameo), Ashley Olsen (cameo), Pink (cameo)
Directed by: McG
Written byJohn August
Music: Ed Shearmer
Movie Co.: Sony

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Now the obvious question is...why?

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Below you will find my review for the first Charlie's Angels opus.  Why is this here?  Because, as I hoped, the second film is just as damn perfectly silly and chockful o'temptation as the first.  Add in some kick ass cameos (including Demi Moore killing someone rather unexpected), the Olsen twins (what's the countdown at?), Pink, and a fun performance by Robert "Have you seen this boy" Patrick, and you have a sequel that is more fun than a barrel of monkeys.  Well done, McG.  I applaud you.  For more depth, read below. - Christian

 

Christian's AngelsCharlie's Angels
by Christian De Matteo

Super

      Oh boy, did I love this movie.  Welcome to the world of pure (okay, maybe impure), unadulterated (no, I won't make that joke) fun.  Frankly, I think this is a brilliant film.  Why do I think that?  Because this was a truly asinine and daring venture that could easily have fallen apart at the seams. (And for a second time it doesn't.)

     First of all, the movie is a remake of an old television show.  More often than not, that's a recipe for disaster.  Second of all, it's a remake of Charlie's Angels.  Shows don't get no more dated than that.  Thirdly, this is the ultimate slap in the face to the politically correct world we live in.  While I might think that world needs a good slapping, a lot of people (Columbia Grad school students mostly) don't.  (They got slapped again!)

    So how does oddly-named director McG (an Irish rap gangster?) manage to turn these three massive negatives into money-making positives?  Here's how:  First, he opens the movie by making fun of the TV remake film genre with L.L. Cool J's comment mocking comment, "Another stupid movie made from an old TV show" in regard to an in-flight showing of... care to take a guess... T.J. Hooker.  Naturally, the first word on the screen is "Hooker."  In one fell swoop, the film tells you that not only doesn't it take itself seriously, but it doesn't want you to.  Have fun.

     Secondly, he updates Charlie's Angels James Bond style.  He knows he's not breaking any new ground here, so why bother trying to do something forcedly creative.  Just use the old Bond trick of never mentioning that the main character's been the same age for four decades.  He continues to update the film by spoofing other popular films gratuitously like The Matrix.  Instant 2000-fication.

     Thirdly, he deals with the toughie.  How does one make a mainstream, blatantly un-PC movie in the year 2000?  Here McG decides to toe a very thin line by making a movie that totally mocks 1970s sexploitation, that is, all the while, one of the most blaring pieces of sexploitation to come out in years.  The girls are overly ditsy and brilliant and the outfits are completely revealing and practical.  Note also that most objects in the film are shaped like some form of genitalia:  the massive safe Cameron Diaz changes into the hot skin-tight suit in; the space satellite; the house Sam Rockwell lives in; the panic button Drew gives Rockwell.  Watch for them and report back what body parts they are on Monday, class.  Pure sexploitation and pure mockery.  Wonderful.

Still not convinced of its worth?  Well, if for nothing else, see it because Cameron Diaz (whom I love, by the bye) is gorgeous.  All the Angels are.  Absolutely gorgeous.  The ladies have so much fun with the part, that it's obvious they all get the joke.  Need more?  You also get to see Crispin Glover (Back to the Future) as a bad guy.  That's right, Marty McFly getting his damn hands on her.  And Bill Murray is the final piece of the pie that completes the ultimate comic recipe.  Watch for the hysterical sequence where it is clear the director stepped back, chucked the script and said, "Bill, do your thing."  A fine decision on McG's part. (In part 2, Bernie Mac, Bill Murray's movie cousin, does just as good a job with the comedy, with the addition of his normal comedy stylings.)

     This is undoubtedly not one of the greatest films ever made, but it didn't ever intend to be.  Had it taken itself seriously it would have flopped ( I give you the atrocity known as Lost in Space).  I'm sure a lot of you are mad at me for giving it a Super, but the movie accomplished exactly what it wanted to and I enjoyed that accomplishment.  I've seen it twice and laughed my butt of each time.  Go with a good sense of humor, leave your political baggage at the door, and enjoy, because it's rare to see something this brilliantly trite.

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