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The Chronicles of Narnia:  The Lion, The Witch and The Wardrobe

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Year:  2005 Rated: PG Runtime: 2H 20M
Starring:  Tilda Swinton, Rupert Everett, Dawn French, Georgie Henley, Skandar Keynes
Directed by:  Andrew Adamson
Written by:  Ann Peacock, Andrew Adamson, Christopher Markus, Stephen McFeely
Based on the book by: C.S. Lewis
Music by:  Harry Gregson-Williams
Movie Studio:  Walden Media, Walt Disney Pictures

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HugeReviews.com Rating: HUGE Review by: Christian De Matteo

The Lion Does Anything But Sleeps Tonight

I don't really know how old I was, but I do know that when I discovered the world that was Narnia, I ate it up like a black hole, voraciously inhaling every morsel of C.S. Lewis' brilliance that I could

Many years have passed, and now myself a writer, I find the books rear their pretty heads in my memory constantly, some times a merely happy thought, sometimes meaningful reference in my own writing.

The Chronicles of Narnia were the perfect adventures for a young child, boy or girl it didn't matter.  All that mattered was that in Lewis' imagination, a child could be royalty and an entire world's fates could rest on their shoulders.  A kid could be king, hero and child all at once, all these roles fitting together perfectly.


And to me, this is the shot that does it all.  - CDM

 

Friday night, opening night, I and a group of friends, several of us Narnia fans from childhood, several uninitiated, several Potterheads (not me, and this film proved why... get some heart, Harry), several LOTR maniacs, all of us movie buffs.

I was blown away.  The Lion, The Witch, and the Wardrobe proved to be the very excitement I myself imagined as a child.  All the action that flew through my head, the intensity, the humor and the magic existed there on the screen the same way it had all those years ago, before I'd ever read Tolkien and hadn't before known that in a well-worded world of fantasy, all one's dreams could be made real.  And there, Friday night, glowing on the screen under direction by Adam Anderson whose previous credits were simply the Shrek films, came to life Narnia, the first adventure and it was very true to me.

The action erupts as the movie fades in and frankly doesn't stop for much until the end.  An over two hour long movie, Narnia pulses with life from beginning to end.  The acting, which I've seen called wooden in several reviews is perfect, three children playing so real the fascination and wonder a child would feel in finding a world through a closet, and Edmund's character just as sullen and childishly spiteful as a child named Edmund ought to be.

Georgie Henley deserves special mention, having brought the lovely  and sweet Lucy to life with such an adventurer's spirit and such a reality that one had a hard time noticing her acting because she hardly seemed to be acting at all.

Through the entire movie tears trickled down my face, for every reason they should have.  Some of the tears were for the books, that I was so glad to have them on the screen so well presented.  Some were for the danger, very real, very evil with no punches pulled.  Some were for the heroes, children in very real danger who knew that evil must be stopped no matter the consequence.  Some were for Aslan, one of the greatest creations of imagination and love ever put to paper.  But most were for excitement at all these elements so smoothly integrated and made with such care.

The CGI, which many people were worried about, was almost perfect.  Except for a few overwhelmed seconds, the special effects were believable, the CG animals breathing and moving just as realistically as the real animals.  The battles were exciting, life or death and the children were treated like children should be in such fantasies: like adults.  Narnia was everything it should be and Anderson proved himself a fan and a lover of the text.

I can only pray the producers are smart enough to learn from the Peter Jackson and shoot them all at once, with the same director/writer/production team and barrel through them to keep the action and the magic alive.

But, if for some reason, they don't, if they blow it and ruin what could be the greatest series of children's fantasies ever made, then, whatever:  I have the one I really wanted.

Three cheers, five stars and a HUGE to Walden Media and Disney for bringing to life my childhood dreams.  I think, though one can't be sure, that C.S. Lewis would have approved.

 

 


By Edwin Hopkins
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HUGE

Many people I talked with before and after seeing The Chronicles of Narnia have told me of their experiences reading the C.S. Lewis book series while in school. When I was in school I had never even heard of it. So when I found out that Disney and Walden Media were planning an adaptation of the most popular second book, The Lion, the Witch and the Wardrobe, I decided to check all seven out of the library on audio. After reading all six Harry Potter installments and most of Lemony Snicket’s Unfortunate Events, Narnia provided another world of fantasy I could enjoy.

There have been animated and made for TV movies of this classic tale, but none on such a grand scale with the advantages of CGI technology. Of course it takes considerably more than realistic fantasy created on a computer to make a good film. And The Lion, the Witch and the Wardrobe delivers, combining all essential elements into a powerful, spiritual story relating directly to Jesus Christ.

As  World War II reaches the shores of Great Britain with a devastating air raid on London, Mother Pevensie gathers her four children, Peter, Susan, Edmund and Lucy, and sends them away to live with professor Kirke (played affectionately by Jim Broadbent) in his palatial mansion for safety. Upon arrival at the train stop they’re collected by the cantankerous Mrs. MacReady who frostily runs down the mandatory rules of the household, amounting to practically no fun at all for these active siblings. They decide that a game of hide and seek in this spacious home will cure the boredom.

Lucy finds her way into a room, empty except for a large decorative oak wood wardrobe. When she decides this is the perfect hiding place, she steps in and almost immediately enters the wintry world of Narnia.

Like Mel Gibson’s The Passion of the Christ, Narnia was given carte blanche by churches across the country. And rightly so. It proves conclusively that Disney is still capable of producing good, clean family entertainment despite it’s mainstream-ism objected to by various religious groups.

As I mentioned above, I had listened to Narnia audio books. However, I’m glad for the time gap between the book and seeing the film. I wanted to enjoy it without being nickpicky about what was left out although, as short as this novel is, everything could have been included.

DVD

Georgie Henley is by far the darling of the Pevensie children as Lucy with her perky cheerfulness and genuine innocence. You’ll believe she emerged from the pages of C.S. Lewis’s book and onto the big screen. She becomes the unlikely catalyst for the wondrous adventure that follows, having tea with the faun Mr. Tumnus, then returning to tell her story to, at first, unbelieving brothers and sisters.

When they discover that their little sister hasn’t been playing a game or imagining things, Peter, Susan and Edmund, after crossing the threshold,  learn that all four of them are key essentials to a prophecy declared long ago in Narnia. Naturally they are reluctant to accept this initially due to their inexperience. But as they move on into this icy world cursed by the evil White Witch, each one manifests courage and abilities beyond anything they could imagine.

Andrew Adamson proves he’s as good a director of live actors as well as animated ones( He helmed both Shrek films). Being a formal visual fx supervisor for such films as Batman Forever helps too apparently. Blue and green screen are commonly used devices in films nowadays and Adamson melds them and live action with true pragmatic precision. He manages to keep that same comic wit  so prevalent in Shrek.

Tilda Swinton counterbalances  this humor quite effectively as the White Witch Jadis, whose icy spell threatens to keep Narnia in a wintry “wonderland” for all eternity. She aptly portrays her nice and not-so-nice personalities when dealing with Edmund, preying on his desire for power- and Turkish delight.

Aslan, voiced by Liam Neeson is the imperial, Christ like figure, the force for good in this world whom you root  for to defeat Jadis. He may be computer generated, but astoundingly real on screen guiding the two sons of Adam and two daughters of Eve in the raging battle for Narnia.

I have no idea why it took four writers, including Adamson, to pen the screenplay for such a short novel. Nevertheless the script works well in scenes and character.  I’m looking forward to the next installment, Prince Caspian which, as of this writing has already been greenlit and is in production.          

 

 

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