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Gladiator
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| Rated:
R |
2000 |
Color |
155
min. |
Awards |
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| Starring:
Russell
Crowe, Joaquin Pheonix, Connie Nielsen, Oliver Reed, Derek
Jacobi, Djimon Honsou, Spencer Treat Clark |
| Director:
Ridley Scott |
|
Screen Writers: David Franzoni, John Logan, William Nicholson |
| Produced
by: Douglas Wick, David Franzoni, Branko Lustig |
| Story
by: David Franzoni |
|
| Music:
Hans Zimmer, Lisa Gerrard |
| Movie
Co.: DreamWorks SKG |
| SFX:
Lee Lighting Ltd., Mill Film |
| Production
Co.: Dreamworks SKG, Scott Free
Productions,Universal Pictures |
| Critique
Section |
Trivia |
HugeReviews.com's
Official Rating System:
Pathetic
Wimpy
Solid Super
HUGE |
| HugeReviews
Critics |
Mark
Capitelli
HUGE |
Mike
Flanagan
Super |
Christian
De Matteo
Super |
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|
|
 |
| Relevant Sites: Official
Site, |
Store |
The Gladiator Store

Photo © Copyright Dreamworks SKG |

Photo © Copyright Dreamworks SKG |

Photo © Copyright Dreamworks SKG |

Photo © Copyright Dreamworks SKG |
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| HugeReviews.com
Reviews:
Gladiator
by Mark Capitelli
HUGE
How could I give it any other rating? It was an epic! I
don't mean a four-hour Kevin Costner snorefest, I mean a real,
old-fashioned, Hollywood epic! A story of struggle and vengeance
set in ancient Rome complete with lavish visuals, romance, and extreme
violence. (Beware the violence o ye squeamish!) Ignore the
historical fallacies and enjoy a great film about men doing what we wish
we could do best.
The acting is good all around. Nothing truly breathtaking, but
frankly such a performance might've distracted you from the plot.
The visuals are truly stunning. The story is great. WHAT
MORE DO YOU NEED TO HEAR!?! Not many films can tell Braveheart
to sit-down and shut-up, but this might be one of them. By the
way, I wish Derek Jacobi was my daddy. That's how much I love'em.
I'm glad to see him working in American films.
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Yes,
he was: Gladiator
by Christian De Matteo
Super
Thanks to Kevin Costner, the idea of an epic on film
is somewhat terrifying to most moviegoers.
While Braveheart is just
that and is one of the greatest films ever, Costner’s attempts since Dances
With Wolves have scarred us. When
we hear epic film, we must usually pause a moment to wonder for whose ego
will we be cursing the screen for three or four hours this time.
But Gladiator
saves us from that. Legendary
director Ridley Scott (Blade Runner,
Alien and brother of director Tony Scott) makes a smart move by
picking up-and-comer Russell Crowe (LA
Confidential, Romper Stomper) to play the lead instead of any of the
bloated, Hollywood superpowers out there (like Costner… imagine Costner
as Maximus, terrifying, eh?). Crowe
does a fantastic job as a great general betrayed and sold into the world
of human death as entertainment.
With a powerful screenplay and an excellent
soundtrack, the viewer slips into the story and moves right along with
Maximus (Crowe) as tries to take control of his fate.
Joaquin Phoenix (Quills)
moves the story along perfectly as well by bringing us a loathed villain
who’s very complex, scary on many levels, and deeply troubled. No great hero can be truly great without a conversely great
villain and Phoenix achieves just that level.
Oliver Reed, in his last role, is fantastic.
Many of the scenes with him are the most striking of the film.
The young boy, Spencer Treat Clark (Unbreakable)
is also excellent. He has a
bright future ahead of him.
On top of that, Scott gives us Rome.
Rome is recreated before us perfectly thanks to the level of
evolution movie magic has risen to. Having been to the ruins of the Coliseum in Rome, Italy (as
opposed to the coliseums in Rome, Florida or New York), I watched in
amazement at the perfection Scott’s team reached in recreating it as
well as all the architecture and spectacles around it.
The movie is impressive on every level.
Gladiator
also does something else that all great films do, and that’s make you
think. Scott disgusts us with the idea of people going to watch
human beings be murdered for sport and then reminds us of the greatness of
the Roman Empire, in power but also culture.
How could such barbarism come from a civilization so advanced?
We the viewers tend to cast judgements on the people, considering
them barbaric and disgusting, but halfway through the movie one finds
himself wondering if such games wouldn’t be a hit today.
Think of the Wrestling phenomena we are currently in.
How far off is that from the gladiator games, short of the actual
death? Humanity has not lost its most primitive bloodlust, and that
makes the film even more important on a cautionary level.
“You’re an entertainer,” Oliver Reed tells Crowe, “Win the
crowd and you’ll win your freedom.” He is an entertainer, and you the viewer are entertained by
his “feats” in the arena, and his actions will win you. But which actions are the ones that win you?
His courage in standing up to an emperor, or his prowess in
coliseum?
So, the
questions begs be asked, Why not a
HUGE rating? The first
hour. It’s not at all bad,
far from it, but on a second watching, many parts feel solely like setup.
Now that I have the knowledge I need to watch the movie, parts
don’t seem necessary anymore beyond introductory information.
I wonder if a bit of it could have been cut out or sped up.
Please understand, the first hour is very enjoyable, just not as
enjoyable as the hour and a half that follows it.
The second
reason not to give it a HUGE would be the same technology I just praised.
Several scenes seem like the crew was trying a bit too hard with
the computers. In the Battle
of Carthage sequence the blood looks very computer generated and the
opening battle scene could have been clearer if they hadn’t gone so nuts
with the special effects.
But these “complaints” are just to explain why it didn’t get
the highest possible rating from me.
For me, Braveheart is
worthy of a HUGE, and you should know that Gladiator is not quiet at the level of Braveheart, but does certainly come close.
I loved Gladiator, enough
that I pre-ordered the DVD and watched it as soon as I got it.
I do believe it was one of the best movies of 2000.
It’s fun and important all at once, and the acting is excellent.
Oliver Reed died while making this movie, and it’s one worthy to have
ended his career on.
So watch, enjoy, and when the movie ends, ask yourself, “Are you
not entertained?”
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Ben-Here
(And It’s Still Cool): Gladiator
by Michael Flanagan
Super
Before dismissing Gladiator, I
highly advise watching it in several different formats.
As it is an epic, the film should be seen on the big screen.
Rarely is such cinematic beauty displayed in such a grandiose way that
it needs to be seen in it’s full splendor.
Gladiator is about the Roman Empire, and the Roman Empire was big.
So is this movie.
Gladiator features the titled bloodsport, as well as love lost,
political intrigue, revenge, and redemption.
All this and ancient Rome, too. Such
film-qualities may look very familiar; this film does not shy away from
bringing to mind Spartacus, or Ben-Hur, or even the lavish Cleopatra.
These movies are classics, and they’re great for that reason.
I recently watched a PBS airing of Spartacus, and for the first
time saw the movie in its full letterboxed glory.
What a movie! I have seen
it before, and I was mainly bored, but add in its widescreen format and you
have even more of the elements. It’s
not just about seeing more of the movie, it’s about adding to it.
I wish I could have seen these classics on the widescreen (a size
closer to the IMAX of today), and in a way, I have.
Gladiator brings back these classics, and it does it well.
The second viewing format I would recommend is the 2-disc set DVD.
When I first saw the movie I thought it was good.
I enjoyed it, but that was about it.
After viewing the film and the features of the DVD, I now love it.
Ridley Scott and team’s commentary is wonderfully insightful, not
just to the film, but to the history as well.
These are intelligent men talking about an intelligent movie.
Hans Zimmer provides some rarely-heard descriptions about creating a
score and bringing a movie to life through music.
And some deleted scenes left me, as long as the film was, wanting to
see them in the movie. The DVD allows the next best thing.
Just as Gladiator is the next best thing to a classic.
And Russell Crowe’s no Charleton Heston. He’s better.
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| Awards:
Soon... |
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And now, a nugget of joy from Mark:
Okay, so he says "Unleash Hell" and Romans didn't believe
in Hell at the time. So the clothes they wore and the stirrups
they used wouldn't be introduced for another few hundred years. So
the film suggests that Marcus Aurelius had made the gladiator fights
come to an end for ethical reasons when in fact they were regarded as
religious ceremonies that were good for people. So Commodus and
Marcus Aurelius didn't really die like that. It was a great
movie! Let it go!
Seriously, I am a student of history who is opposed to
"Hollywood's History" and the "Dineyfication" of
History, but this particular movie I could forgive. It was that
good. If you want to know the truth, don't look to Hollywood, all
they want is to entertain. This time, they did a good job of that.
Here's one for the trained eye: When the two armies run into
each other in the opening battle, one of the Roman legionnaires in the
center of the screen is clearly laughing and not fighting. What's
his story?
Assorted Trivia:
Oliver Reed died from a fatal heart attack during filming. Some of his sequences had to be re-edited and a body double, photographed in the shadows with a 3D CGI mask of Reed's face, was used as a stand-in. This is similar to the technology and tricks used in
The Crow after Brandon Lee died.
In the Colosseum scenes, only the bottom two decks are actually filled with people. The other thousands of people are computer-animated.
Quite well I might add.
The real Emporer Commodus was in fact the only Roman Emperor in history to fight as a gladiator in the arena. He did it several times and was not killed in the arena; he was strangled in his dressing room by an athelete named Narcissus.
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