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Radio

REVIEW STORE GALLERY
Year: 2003 Rated: PG Runtime: 109 min.
Starring: Cuba Gooding Jr., Ed Harris, Riley Smith, Sarah Drew, Alfre Woodard
Directed by: Michael Tollin
Written by: Mike Rich
Music by: James Horner
Movie Studio: Columbia Pictures, Sony Pictures Entertainment
Full Details: IMdb


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Review

Review by: Barry Waller

Rating: HUGE

“Radio”: A True Story, a Wonderful Movie

I had the opportunity to get an early look at the new film "Radio" starring Cuba Gooding Jr. as James “Radio” Kennedy, a mentally challenged young man who's life, and the lives of the people of Anderson, South Carolina were changed forever after he was befriended by a middle aged high school football coach named Harold Jones, played by Ed Harris. After seeing it, I would recommend that any student of life in need of a boost in spirit do the same.
It's ironic that there are thousands of people who spend their time almost obsessively trying to weave their beliefs and feelings into fictional tales for movies, plays, television or books, when almost invariably the best and most touching stories are right there in real life.
Screenwriter Mike Rich has received universal praise the past two years for his first two film works, "Finding Forrester" and "The Rookie," films that contained lessons of life connected to a love of sports. The former Portland radio news announcer, who exploded onto the movie writing scene following the sale of his award winning first effort in 1998, wisely stayed in form with the “Radio” screenplay. Like his other work, it’s an uplifting lesson about humanity that uses sports as a background. This not a “football movie” however, any more than “The Rookie” is mainly a baseball movie, or “Hoosiers” is mostly about basketball.

"Radio", like "The Rookie", is a life-affirming piece based on a true story, and Mike Rich continues to show that staying true to the heart of a story should be how all films are crafted. Rather than try to hard to make his point known to the audience, Rich shows a real talent for allowing the story to be told in an honest and unassuming manner. It's a rare gift in the movie business, and one to which more screenwriters should aspire in a world in need of substance over hype.
The Producer/Director team of Brian Robbins, and Michael Tollin has had only one film that rated any praise during their partnership, "Varsity Blues", another film with football as a major theme. Robbins turned over his usual director job to Tollin this time, and Tollin, in just his third time as an accredited film director, obviously recognized the quality of the story and Rich's brilliant script.
Tollin captures the feel of rural and poor South Carolina in the early 1970s, without taking away from the story by resorting to any of the usual cheap shot racial slants that are too often a part of “period pieces” set in the deep South. In this case, those who have the “heavy” roles are not acting out of racism, but out of the fear and ignorance some carry around when dealing with those who are mentally challenged.
The football sequences during the film are all excellently shot and portrayed honestly as well, as Tollin allows the audience to get caught up in the emotion of high school football just as one would sitting in the bleachers. There is no phony made up championship game at the end, no attempt to change this heartwarming story that was initially published as a story in ”Sports Illustrated” several years ago, that went mostly unnoticed at that time.
Perhaps the only artistic license taken by the young director in filming the movie in the “low country” of southeast South Carolina, far more rural still today than where the events occurred, at T.L. Hanna high school in Anderson, which is located in the state’s northwest “high country”. The recognition Tollin should rightfully receive soon for this carefully crafted film will hopefully keep him doing similarly understated and true to life films in the future.
Even though the production team has shown once again that great art can be created without a huge budget in this film, the superb screenplay, along with the story itself, attracted actors who performed as though they were born to play the lead roles. Harris, arguably the most underrated actor today, has a love for football that goes back to his playing days at Columbia University, and his portrayal of a highly respected workaholic coach, and teacher is right on.
Harris already has received a quartet of Academy Award Nominations; for best actor in” “Pollock” (2001), and best supporting actor for his work in “Apollo13” (1995), “The Truman Show” (1999), and “The Hours” (2003). It’s a pretty good bet that Harris will get his fifth chance to win a well deserved with this effort.

Movies like “Radio”, that will stay with viewers long after they depart the theater, have taken home plenty of those coveted gold statuettes in past years, and this perfect performance by Harris may finally get him the nod when the envelope for best actor is opened out in Hollywood next year.

Harris’ biggest competition may come from Gooding Jr., who already has an Oscar for his supporting role in “Jerry McGuire” back in 1996. It’s not like Gooding Jr. hasn’t done some very able work since then; but this is the type role, and the type performance that will put a talent such as Gooding back on the “A” list
It’s a known fact that portrayals of characters who are “challenged” in some way draw increased interest from the Academy voters, but if Gooding Jr. dashes up to receive the award again in 2004, it won’t be simply because of Mr. Kennedy’s low IQ.
Just like the actors portraying those society labels as “different”; Cliff Robertson (“Charly” - 1968), Dustin Hoffman (“Rainman”- 1988), Daniel Day Lewis (“My Left Foot”- 1989), Tom Hanks (“Forrest Gump”-1994), and Geoffrey Rush (“Shine”-1996), Gooding Jr. would take home the prize because he was able to clearly portray how “Radio” is far more like everyone else than expected, and better in many of the ways that matter most.
Like those other characters, some real, some fictional, but still believable, James Robert “Radio” Kennedy shows that far from being a “lesser person” in comparison to the bulk of mankind that makes those judgments, he is actually superior in many more important ways. That fact becomes clear as the story unfolds, and the audience shares the same lessons that are learned by coach Jones, and eventually everyone in town.
Gooding Jr., is nearly mute for the first half-hour of the film, and then slowly comes out of his shell as his relationships with the football team, students, teachers, and then townspeople grow. Mr. Gooding stays true to the real character, now in his mid-fifties, who is still inspiring a third generation of T.L. Hanna students, 38 years after he first became a permanent fixture at the school, and on the sidelines.  In doing so, Gooding Jr. avoids playing the role as someone who should be pitied for his lot in life, which is a key message that comes across quite beautifully in this film.
At the heart of “Radio”, the nickname given the shy and reclusive Kennedy by Jones, because of his love for listening to music on one of the many old radios he’s collected in his days pushing and even riding in an old shopping cart around town, is a story that illustrates the power that comes from living by the “Golden Rule” above all else.  
The love that develops out of compassion between the two men, vastly different in every way, leads to life lessons for both that first transformed a team, then a school, and finally a town at a time when great changes in our country were pulling people apart based on age, religion, and politics, even members of the same household.
When experiencing this film, the audience reaction will be clear proof that Rich, Tollin, and especially Gooding have really “hit their mark“. During many scenes, “Radio’s” antics, or what he is trying to say to someone, will cause those in the theater to let out a heartfelt belly laugh. It’s at that moment, or maybe hours after leaving this beautiful film, when the realization hits; that everyone was actually laughing out loud in public at a mentally challenged person struggling, the at him messing up trying to fit in.
Certainly the idea of that sort of reaction to such a person would be unthinkable out on the street, and political correctness would force one to condemn those who would dare to chuckle at another’s frailties. However, it suddenly hits anyone examining this theater reaction more in depth, instead of just feeling guilty about it, that those who would divert their eyes and ignore a person like “Radio”, do far more harm than laughter.
The villains in this movie are those that want to “protect” Mr. Kennedy from harm and send him where “He can receive proper care and supervision.” They are probably not evil people, but Rich’s take is that they are the biggest impediment to tapping into what everyone; even “Radio” has to offer to others.
The real James Kennedy had no problem with others laughing at his expense, something all of us normal people can even enjoy most of the time. That’s how the laughter from the seats in the theater can’t help but hammer home the writer’s point, and the central lesson the film seeks to impart.
Those that see a challenged person and somehow feel guilt will turn those negative thoughts into predjudice, and avoidance of those like Mr. Kennedy; that is the epiphany that Mr. Rich shares over and over in this movie. Linked to that shared wisdom is the evidence provided by “Radio’s” life itself, that if everyone treated a person who has an IQ 60 points lower oneself the same as someone who has one 10 points lower, they may find out something very special.
There are plenty of people who dress up in clown suits and paint their faces to induce laughter from others, just for the sheer joy of the act. They don’t mind if they have to slip on a banana or get a pie in the face to do it either. James Kennedy soaked up the laughter than came his way, also from people who began to enjoy him for exactly who he was, and blossomed into a veritable love reactor. It didn’t take long for the whole town of Anderson, made up of all types of people, to feel the effects of “Radio’s” emitted “radiation”.
This true story truly showed how all it took was one righteous man to reach out a hand to James Kennedy, for reason’s Harold Jones never fully understood. Once the miraculous changes in James begin to have their magical effect on Jones and then others, it doesn’t seem to matter why anymore. Everyone just knows in their hearts and accepts that the reason is less important than the result for “Radio” and especially themselves.
The friendship the coach and Kennedy develop also brings Jones a level of enlightenment from his previously tedious existence, and in the end, it’s clear that the small spark of human kindness that Jones set to “Radio”, ends up igniting a blaze of love inside him. James Kennedy turned out to be made of stuff that would burn very bright if given the necessary catalyst, and he still warms a small town today, with an inborn fuel consisting of loyal friendship, and pure love of his fellow man.
The perfect understanding that Gooding Jr. appears to have for Mr. Kennedy makes it very easy to understand how the real “Radio” has captivated everyone with whom he has come in contact over the last four decades, once the compassion begun by a highly respected coach, who inspires others to do the right things off the field just as he does on the gridiron, slowly releases James from the captivity of human prejudice and intolerance.

 

Debra Winger, a three time Oscar Nominee who is known to be quite picky about the roles she takes, appears in her first studio film in 8 years, playing her relatively minor role as Jones’ understanding, and supportive wife in fine fashion. Ms. Winger and Mr. Harris seem quite comfortable and believable as a couple and parents of a teenage girl, played by newcomer Sarah Drew. In her first movie role, Drew doesn’t appear to be intimidated by the movie’s trio of talented heavyweight stars.
All of the performances in the movie seem to indicate plenty of inspiration, and generosity among the cast. Even the lesser roles of Jones’ assistant coach, played by another newcomer, Brent Sexton, his players, and the townspeople of Anderson, are all well cast and well played throughout the movie. Veteran actor Chris Mulkey does a good job as the banker who tries to keep “Radio” away from the school and his star athlete son, played by Riley Smith.
Tollin avoids having that dogmatic pair suddenly morph into something they aren’t, but like James Kennedy in the early part of his rebirth, Smith’s unlikable character shows even he has been changed by effects of “Radio’s” loving nature, enough to evade his fathers deep seeded intolerance, and indicate that further redemption is probable.
The inclusion of the exceptional acting talent of Alfre Woodard as the school principal, including a proper amount of worry and restraint that a person would have who has chosen that career, which makes her character; like so many others in the film, very believable. Fellow esteemed actress S. Epatha Merkerson appears James’ beloved mother, and the two highly respected actresses are just one more positive of the film.
Like those in the more major roles, those two certainly came with impressive résumé’s, that include an Oscar nomination plus two Golden Globe awards for Woodard, and a Tony Nomination, along with an Obie and other acting awards for Merkerson’s past work on the New York stage. She is best known for her long time role as Lt. Van Buren on the hit TV drama “Law and Order”.
It’s pretty obvious that the director and the actors really “bought into” what this wonderful story had to say, which is probably why they came to the project to begin with. Everyone involved looks to have wanted very badly to make this movie something that would continue to inspire viewers long into the future, just as “Radio” Kennedy, now Anderson, South Carolina’s most famous native son and ambassador, has done for nearly 40 years.
I suggest going to see this lovely and moving film quickly when it opens late this fall, because the lines could get long, once word of mouth, and the critical acclaim that it should receive, get to the masses. See it with someone you love, and make sure to take plenty of Kleenex to this unforgettable, and inspiring masterpiece.
As previously explained however, there will also plenty of laughter in what should be a very enjoyable movie going experience, and also some well-shot and realistic football action. However, in the end what moves the viewer, and stays with them after seeing “Radio”, will be the notion that the divine nature of the human heart, and how its value in guiding our lives, when allowed to in a cynical world, far outweigh the intellect that too many people today value far greater than the capacity to truly care for others.

  COMMENTARY

Naailah

HUGE

Its a fabulous movie with an amazing story.A story which touches one heart. Its
about friendship which changes completely the life of two individuals. This
movie is simply one of the best.

:

 

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