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The Ring 2 |
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Year:
2005 |
Rated:
PG-13
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Runtime:
Insert
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Starring:
Naomi Watts, Simon Baker, Sissy Spacek, Emily
VanCamp, David Dorfman, Elizabeth Perkins |
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Directed
by: Hideo Nakata |
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Written
by: Ehren Kruger |
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Music
by: Hans Zimmer |
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Movie
Studio: Dreamworkds |
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DVD
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SOUNDTRACK
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Review |
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And This Week's Award for Instantaneous
Franchise Slaughter Goes To... |
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Those cool customers who partake on occasion of the golden
nectar of the gods, booze, know that one of the unfortunate side
effects of the life's elixir is drunk sex. Usually
unprotected because... who realizes anyway?... drunk sex is an
exercise in futility, a nonstop pounding, trying and trying and
trying and trying and falling asleep for a little while and
waking up and trying and trying and trying to, let alone finish,
just feel something. In its worst cases the pounder
usually gives up (the poundee having probably finished counting
the holes in the ceiling tiles) after an hour or so and goes to
sleep, waking up the next morning hung-over and confused as to
why, after all his trying and trying and almost being there so
many times, nothing, at all happened.
And so is the experience of watching this completely
worthless turd of a horror film, a film about as horrific as a
plastic bag blowing in the wind... and about an eighth as
satisfying.
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Why, you ask was this colossal piece of human brain waste so
bad? For every reason you can imagine. As the follow
up to a smash hit horror movie that was actually exceptionally
good (a rare event in these days of awful horror) it had gold to
work with, but just like Hollywood always does, rather than pick
up from where most made sense, instead, they spun it around,
created new "rules" and made the story utterly non-sensical.
Samara, Satan's little helper from the first movie, a girl who
spends almost every minute of her life submerged in water and
yet is always completely filthy, no longer needs her slightly
behind the times videotape. I guess now she's got DSL...
she can make that damn short film straight out of Dali's
imagination to appear on any screen any time. And on top
of that, the weakest part of the first film, Samara's attack
through the TV happens at least four times in this movie, the
people actually turning to static as they are pulled in. What a pile of s**t.
Samara can also appear almost anywhere, coming out of dead
bodies, bathtubs, men's rooms (too bad she isn't older) and
maybe even out of your popcorn which hopefully hasn't been
doctored for your little lady with the old hole-in-the-bottom
trick. There are now two different plains of existence
that one can travel and battle Samara through and none of this
would make any more sense if I tried to explain it in greater
detail than what I've just given you.
Even when Sissy Spacek does a cameo as the rule giver.
Her rules don't make any damn sense either.
Straying desperately from it's Japanese original, relying
solely on strange images with nothing to back them up for its
scares, and asinine decisions on the part of the characters to
create scenarios, the film fails on every single level, not only
making it an awful horror movie but inalterably changing the
mythology in a way that doesn't add up at all, sapping it of all
power.
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An example of stupidity of characters is this: Naomi
Watts (don't worry 21 Grams fans, the only thing this movie has
going for it is that her fantastic nipples do make an appearance
- covered, but an appearance nonetheless - toward the - thank
merciful heavens - end of the movie) is no longer, as this is
the sequel, in the position to deny the existence of ghosts.
She knows Samara's real. And yet, fantastic mother that
she is, FOUR times she leaves her annoying little bastard of a
10 year old son alone "to take care of something". And, of
course, every damn time, Samara gets him! OF COURSE.
I can't feel sorrow or terror for these people... they f**king
deserve whatever they stumble into. Even if it is a
possessed bunch of ten point bucks for no damn reason.
I could go on and on about the amount of times nothing
happened as the movie tried pounding and pounding on, or the
severely low body count, or the retarded, frozen, stroke-victim
like poses of the corpses or the fact that nothing mattered at
all for one moment, but I won't.
If you like The Ring, don't bother
with this garbage. If you didn't like
The Ring, don't bother with this garbage. Either way
you'll be better served, going out to your local bar, getting
hammered, and attempting to finish getting laid. Even if
it doesn't work, it'll still be infinitely more satisfying. |
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