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David Marconi

                          
David Marconi: Bio

 A native of Highland Park, Ill., Marconi was passionate about film making from an early age.  After winning several high-school film making competitions, Marconi was awarded an Alumni Merit Scholarship to attend the University of Southern California's Film School.  Upon graduation, landed his first job as Francis Ford Coppola's assistant on The Outsiders.  Following that, Coppola promoted Marconi to Production Superviser 2nd Unit on Rumble Fish.

 Working closely with Coppola, Marconi "cut his directing teeth" watching Francis direct both The Outsiders and Rumblefish . 'Working for Coppola as his assistant was an incredible experience, I considered it a sort of grad school,  a place where I got to see and experience first-hand the various techniques Francis would employ to illicit the  performances he required from the actors.  It gave me solid grounding as far as the craft was concerned.'"

 After a yearlong series of production jobs ranging from Art Department to Prop Master, Marconi landed his first feature writing assignment off an original pitch entitled; Mud Sweat and Gears. (Warner Bros.,) Bob Schaffel producing, Thomas Carter to direct.

 Marconi followed Mud Sweat and Gears by writing two more back-to-back action pictures for David Hayman; The Blonde Hurricane, (Warner Bros.) a romantic comedy set in Paris during the 30's, and One Hot Afternoon, (Warner Bros.) an updated version of a classic Western.  Though the writing assignments were lucrative, the directing was tugging at him.

 In 1993, Marconi wrote and directed his first feature, The Harvest, (Columbia TriStar).  "Taking as its basis one of the most unnerving of all urban horror stories, the black market organ trade, Marconi's The Harvest plays like a paranoiac's fever-dream and cleverly exploits the fears, both real and xenophobic, of the stranger in a strange land. "

 A visually detailed film, the stylish noir stars Miguel Ferrer (Twin Peaks, Traffic) and Leilani Sarelle (Basic Instinct).  From his Coppola days, Marconi employed Alex Tavoularis, One from the Heart and Apocalypse Now to act as his visual consultant.  The sinuous imagery was provided by Mexican cinematographer Emmanuel Lubezki,  Academy award nominee for his work on Sleepy Hollow, Little Princess and Children of Man, The Harvest was Lubezki's first foray into US film production.  The film premiered in the 'official selection' of the San Sebastian Film Festival and went on to win numerous awards in International Film festivals . 

 Distributed internationally by GoldCrest Internationa, The New York Post described it as "a tense, tough thriller that keeps you on your toes and guessing."

 The success of The Harvest brought Marconi to the attention of several companies involved in action pictures, most notably, Michael Mann who commissioned Marconi to write Red Badge, (Warner Bros.) a DEA thriller set in Thailand, and Simpson/Bruckheimer who commissioned Marconi to write his original screenplay Enemy of the State (Disney) starring Will Smith and Gene Hackman.  A high-tech thriller dealing with privacy issues,  Enemy of the State grossed over 250 million worldwide.  On the heels of Enemy of the State, Foster next commissioned Marconi to redeveloped Bruckheimer's TV series; Soldier of Fortune.

 After Enemy of the State, Marconi was approached by Oliver Stone and Tom Cruise. Stone, who had been hired by Cruise/Wagner to direct the Mission Impossible sequel, had expressed  an earlier interest in directing Enemy of the State for Disney.. When Bruckheimer opted for helmer Tony Scott, who he had a long-standing relationship with, Stone hired Marconi to pen the first draft of MI2 for him. (Paramount).

 Marconi continued to build a strong reputation as one of Hollywood's top action/adventure writers,  creating tent-pole action films for the major studios; WW3.com (which served as the basis for the upcoming DIE HARD sequel; LIVE FREE OR DIE HARD ) (Twentieth Century Fox,) Perfect Suspect for Chris Rock (Twentieth Century Fox,) and the high-tech., science fiction epic; No Man's Land.  (Dreamworks.)

 As a writer, Marconi has co-authored with Flint Dille three serialized novels: Agent 13, The Midnight Avenger, Agent 13 and the Serpentine Assassins and Agent 13 and the Acolytes of Darkness, all from Random House Publishing .  An action-adventure series set in the 30's,the stories deal with a secret society manipulating the events leading up to the Second World War, and the one man, Agent Thirteen, who tries to foil their plans.

 Marconi has a penchant for creating original material "with a political bite" as he puts it.  It's those observations and insights which have led to numerous speaking engagements, books and articles for various international publications.  Most recently, Marconi was a featured guest speaker for IADC, International Attorney's Defense Council, in Pebble Beach and the Department of Defense Cyber-Crime Conference in Palm Harbor Florida where he lectured on his film Enemy of the State and how it relates to privacy concerns and cyber-warfare in a post 9-11 world.  Marconi, along with Sydney Pollack, has also recently taught a special writers' conference of French student screenwriters at the Deauville Film Festival and has completed a fellowship writer-in-residence program at the Abbey Royaumont outside Paris, an award he received from the WGA and the ile de France Film Commission for his work on THE TAKE.

 Holding duel citizenship for the US and EU (Italy,) Marconi divides his time between Los Angeles and Europe.

 

Joe De Matteo, April 2007

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